Levy: Jordana had created such unique and powerful characters in these sisters. We both left that meeting with a good feeling, and the next week I was arranging to get footage.įilmmaker: In terms of advancing your film from its earliest assembly to your final cut, what were goals as an editor? What elements of the film did you want to enhance, or preserve, or tease out or totally reshape? My bedside manner and ideas on the script, along with my assistant editor experience with certain filmmakers, earned me Jordana’s trust. The meeting flew by as we chatted about all sorts of things and I shared my thoughts on her film and my approach to the editing process. We met at a cafe during a weekend off from production and we got along very well and found we had similar sensibilities. I connected personally with many layers of the story Jordana wanted to tell, so I was excited to meet her. Levy: After trading emails and calls with our producer, Jonathan Montepare, I read the Night Comes On script and arranged a meeting with the director, Jordana Spiro. Before its five screenings at Sundance 2018, Levy spoke with Filmmaker about what drew him to the project, his years as an assistant editor and the stress of meeting a Sundance submission deadline.įilmmaker: How and why did you wind up being the editor of your film? What were the factors and attributes that led to your being hired for this job? Spiro hired Taylor Levy, an additional editor on the 2017 Sundance title Brigsby Bear, to edit the film. The film tells the story of two troubled sisters: Angel (Dominique Fishback) and Abby (Tatum Marilyn Hall). She makes her debut as a feature film director with Night Comes On, a film she also co-wrote with Angelica Nwandu, the founder of the Instagram-based company The Shade Room. Jordana Spiro has appeared as an actor on Ozark, The Good Wife, Dexter and a number of other TV series. Jordana Spiro, Night Comes On, Sundance Film Festival 2018, Taylor Levy
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